Aayau Timi Ekantama - New Nepali Gajal Geet 2071 Full Video

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The ghazal is a beautiful structure comprising of rhyming couplets and a hold back, with every line having the same meter. A ghazal may be seen as a beautiful statement of both the torment of misfortune or partition and the magnificence of affection despite that agony. The structure is old, starting in antiquated Arabic lyric in Arabia much sooner than the conception of Islam. The term Ghazal is of North African and Middle Eastern cause. Its root term in Arabic is " gh-zl " and is gotten from the Arabian laudatory qasida. The basic prerequisites of the ghazal are comparable in stringency to those of the Petrarchan piece. In style and substance it is a type that has demonstrated equipped for a phenomenal mixture of representation around its focal topics of adoration and division. It is one of the vital graceful structures which the Indo-Perso-Arabic human progress offered toward the eastern Islamic world.

Album : "SPARSH"
Presented by Rishi Bastakoti
inger: Reema Gurung Hoda
Music : Gaire Suresh
Lyricist : Rishi Bastakoti
Direction : Suresh Thapa
Camera : Man Raj Shrestha /Suresh Thapa
Editor : Nishan Ghimire

Dohori music is Nepali people melodies. Dohori implies from two side or an open deliberation. This level headed discussion is in beat, and includes brisk and witty verse. The two groups in Dohori generally include young men in one gathering young ladies in the other. The melody is begun with an inquiry as a rule from the young men's side. The young lady takes after the inquiry with a speedy reaction and proceeds with the musical conversation.Dohori tunes can keep going the length of a week. The length of the Dohori relies on upon the snappy thinking capacity about the players. Aadhunik geet or cutting edge melodies are well known tunes in Nepal. It is otherwise called sugam sangeet. These sort of tunes are delicate and melodious.it Is the Very Popular Song And an excess of People like this kind of melodies in NepalNepali traditional music has a history since the season of King Mana Deva (567BS/ 510 AD). The traditional music had the capacity create, enhance and develop amid the cirat Period, Lichchavee Period, Mallaa Period and Sah Period and additionally the Ranaa Period. After Rana rulers King Mahendraa and Birendraa assumed a part to promote established music through Radio and Durbar Concerts. Today numerous traditional artists live with music here as their calling. Numerous groups specifically Sursudha, Sukarma, Trikaal, Sampada[Sampada (The Heritage ) Band, Kutumba are renowned groups in Nepal. Established music associations, for example, Kalanidhi, Narayan Music Academy, Kirateswor, Kapan and Atul Memorial Gurukul have been sorting out standard open shows for the protection of eastern traditional music. Atul Memorial Gurukul[1] is the first traditional music Gurukul in Nepal.
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